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perhaps the World!
perhaps the World! |
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| Superman |
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Well, leave it to me, because I know what it is. D.C. Comics' The Man of Steel reprints the six-issue mini-series in which writer/artist John Byrne redefined the super-powered Kryptonian for a new generation of comic-book readers. Byrne took the burned-out (at least on the readers), demi-god, and turned him into a less powerful, but more three-dimensional character, with much more appealing and stimulating supporting characters and surroundings. Gone was the near-divine "I'll move this planet off it's axis myself" power, that made every threat or villain appear a mere momentary bother, if not a joke altogether. The new Superman, though stocked up in the brawn department, was much more of a thinking man's hero. He had to be, as it was not unusual for Supes to have his head handed to him by a villain on the same power-level.
Most appealing about The Man of Steel, however, was the sense of "newness" it seemed to have. Origin, powers, stories, cast, it all seemed very fresh. No small task, considering the character's afore-mentioned history. The Man of Steel is available wherever comics are sold. Easier to store, more pleasurable to read, and cheaper in trade-paperback form. For all ages. The Man of Steel, published by D.C. Comics, 152 pages, $7.50. Review by Mark Allen |
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Shudder at Michael Vance's "Light's End"
audiotapes! |
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Questions? Comments? A comic you wish reviewed? |
Superman is an American icon. In fact, there is probably no
better-recognized fictional character in the world. So, considering the
fact that Krypton's favorite son has had at least one monthly comic
published on a regular basis for about the last sixty-three years, it might
be called ludicrous to attempt to pinpoint the finest Superman work EVER.
Byrne's art style was perhaps the most suitable ever for D.C.'s flagship
character. He seemed to be able to capture the strength and confidence of
the character, while adding a certain fun, playful factor that Superman had
not had since his inception. The range of emotions/expressions of Byrne's
characters also benefited the book, allowing quite a lot of different types
of stories to be told.